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Dam Tahat Dam
דם תחת דם
[Only Ed.] R. Judah Loeb Landau
This listing is an independent item not part of any collection
Only edition. xiv, 160 pp. octavo 160:109 mm., wide margins, usual age staining. A very good copy bound in contemporary boards, rubbed.
Only edition of this play set in Second Temple times by R. Judah Loeb Landau. There is an introduction by Jacob Samuel Fuchs, the publisher, and then the text. Dam Tahat Dam is a five act play. R. Judah Loeb Landau (1866–1942) was a South African rabbi, scholar, poet, and playwright. Landau was born in Zatozce, Galicia. His father Moses Issachar Landau was a maskil and regular contributor to the Hebrew press. Landau attended the German gymnasium at Brody (Galicia), yeshivot, and the Jewish Theological Seminary and University of Vienna and soon came under the influence of Hebrew writers, poets, and dramatists, such as P. Smolenskin, N.I. Fischmann, and A. Broides. As a student in Vienna, Landau used to write theater and opera reviews of Jewish interest for Ha-Maggid. Early in his life Landau supported the movement for national revival by word and deed, became an ardent supporter of Theodor Herzl, and attended several of the early Zionist congresses. When on a visit to London in 1900 for the Fourth Zionist Congress, M. Gaster persuaded him to stay. He was minister of the North Manchester Hebrew Congregation until 1904, when he went to Johannesburg as rabbi of the Johannesburg Hebrew Congregation. In 1915 Landau became chief rabbi of the United Hebrew Congregation of Johannesburg and of the Federation of Synagogues of the Witwatersrand; he was also appointed professor of Hebrew at Witwatersrand University. In nearly four decades of spiritual leadership in the South African Jewish community, Landau participated in and stimulated a great variety of activities and organizations: religious, charitable, cultural, and Zionist. Landau's contributions to modern Hebrew literature were mainly in drama and poetry. His poems and articles first appeared in a number of Hebrew periodicals, where he used the pseudonym of Hillel ben Shahar. In addition to Dam Tahat Dam Landau was also the authjor of other plays; Bar Kokhva (1884); Aharit Yerushalayim (1886); Hordos (1888, also in Yiddish, 1901; first produced in Lvov in 1890); Yesh Tikvah (1893; with a contemporary theme, the first Hebrew drama to be produced in modern times); Don Yizhak Abrabanel (1919); Yisrael Ba'al Shem Tov (1923); and Lefanim o Le'ahor (1923; English version by D. Mierovsky, Conflicting Worlds, 1933), describing the strains and tensions of modern Jewry. Landau published collected lyrics in Neginot (1895) and Neginot u-Fo'emot (1933), some of which were set to music; prose writings Libbot Nishbarim (1903), literary conversations in novel form; and Vidduyim (1928), letters on contemporary Judaism containing much autobiographical material. The themes of his poems are intensely personal, expressions of Weltschmerz and the human predicament, the love of Zion and Israel, and the great characters and leaders in Jewish history. His doctoral dissertation was N. Krochmal, ein Hegelianer (1904); he also translated his teacher A. Schwarz's Die hermeneutische Analogie into Hebrew under the title Gezerah Shavah (1898?). His Lectures on Modern Hebrew Literature (1925); Judaism in Life and Literature (1936); Judaism Ancient and Modern (1936), sermons; and Short Lectures on Modern Hebrew Literature (1938) appeared in English. Landau was among the editors of the Hebrew encyclopedia Ozar Yisrael to which he contributed many important articles. Other scholarly articles of his appeared in Ha-Eshkol (Cracow) and Ha-Zofeh le-Hokhmat Yisrael (Budapest) as well as in a number of Festschriften. In 1936 a jubilee volume was published in honor of Landau's seventieth birthday, Ve-Zot li-Yhudah (Heb. and Eng.).
חזיון תוגה בחמש מערכות, מאת יהודה ליב לנדא [היל"ל בן שכ"ר. י"ל עם מבוא בראשו מאת יעקב שמואל פוכס, עורך "המגיד"...
BE daled 840; EJ; CD-EPI 0142054
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Kind of Judaica